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Mandana Meena Painting

Mandana paintings are wall and floor paintings of Rajasthan and Madhya Pradesh, India. Mandana are drawn to protect home and hearth, welcome gods into the house and as a mark of celebrations on festive occasions. Meena women in the Hadoti area of Rajasthan possess skills for developing designs of perfect symmetry and accuracy. The art is practiced on floors and walls, and the practice is often passed from mother to daughter. The art is much more pronounced and attached to the Meena community in the Hadoti area. The ground is prepared with cow dung mixed with rati, a local clay, and red ochre. Lime or chalk powder is used to make the motif. Tools employed are a piece of cotton, a tuft of hair, or a rudimentary brush made out of a date stick. The design may show Ganesha, peacocks, women at work, tigers, floral motifs, etc. Such paintings are also called Mandala in most parts of Nepal. 

In recent times, the practice has become less visible and has been called outdated. Conservation efforts, such as those of Koshalya Devi from Baran, have been engaged in preserving and conserving the traditional white chalk on red background Mandana drawings. Devi has painted over 100 designs in the Mandana style on hardboard using oil paints, and is also engaged in spreading the practice to other countries.

 

About Mandana Meena Painting

Mandana paintings are wall and floor paintings of Rajasthan and Madhya Pradesh, India. Mandana are drawn to protect home and hearth, welcome gods into the house and as a mark of celebrations on festive occasions. Meena women in the Hadoti area of Rajasthan possess skills for developing designs of perfect symmetry and accuracy. The art is practiced on floors and walls, and the practice is often passed from mother to daughter. The art is much more pronounced and attached to the Meena community in the Hadoti area. The ground is prepared with cow dung mixed with rati, a local clay, and red ochre. Lime or chalk powder is used to make the motif. Tools employed are a piece of cotton, a tuft of hair, or a rudimentary brush made out of a date stick. The design may show Ganesha, peacocks, women at work, tigers, floral motifs, etc. Such paintings are also called Mandala in most parts of Nepal. 

In recent times, the practice has become less visible and has been called outdated. Conservation efforts, such as those of Koshalya Devi from Baran, have been engaged in preserving and conserving the traditional white chalk on red background Mandana drawings. Devi has painted over 100 designs in the Mandana style on hardboard using oil paints, and is also engaged in spreading the practice to other countries.
 

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